Socrates, on being insulted in the marketplace, asked by a passerby, “Don’t you worry about being called names?” retorted, “Why? Do you think I should resent it if an ass had kicked me?
ALAIN DE BOTTONOur responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others.
More Alain de Botton Quotes
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As an atheist, I think there are lots of things religions get up to which are of value to non-believers – and one of those things is trying to be a bit better than we normally manage to be.
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The difference between hope and despair is a different way of telling stories from the same facts.
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When you look at the Moon, you think, ‘I’m really small. What are my problems?’ It sets things into perspective. We should all look at the Moon a bit more often.
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Philosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
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Not being understood may be taken as a sign that there is much in one to understand.
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Only as we mature does affection begin to depend on achievement.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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One of the best protections against disappointment is to have a lot going on.
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Happiness is impossible for longer than 15 minutes. We are the descendants of creatures who, above all else, worried.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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When work is not going well, it’s useful to remember that our identities stretch beyond what is on the business card, that we were people long before we became workers – and will continue to be human once we have put our tools down forever.
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It seems that most of us could benefit from a brush with a near-fatal disaster to help us recognise the important things that we are too defeated or embittered to recognise from day to day.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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