The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
ALAIN DE BOTTONArguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
More Alain de Botton Quotes
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.
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Most of us still caged within careers chosen for us by our not entirely worldly 18-22 year old selves.
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The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
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Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
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The mind does most of its best thinking when we aren’t there. The answers are there in the morning.
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Paying tax should be framed as a glorious civic duty worthy of gratitude – not a punishment for making money.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
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Reputation matters so much only because people so seldom think for themselves.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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The problem is if you really believe in a society where those who merit to get to the top, get to the top, you’ll also, by implication … believe in a society where those who deserve to get to the bottom also get to the bottom and stay there.
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The greatest works of art speak to us without knowing us.
ALAIN DE BOTTON






