At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
ALAIN DE BOTTONArguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
More Alain de Botton Quotes
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The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
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Although I don’t believe in God, Bach’s music shows me what a love of God must feel like.
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What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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There is a devilishly direct relationship between the significance of an idea and how nervous we become at the prospect of having to think about it.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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How generous was it to offer gifts to people one knew would never accept them?
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The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
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Our minds are susceptible to the influence of external voices telling us what we require to be satisfied, voices that may drown out the faint sounds emitted by our souls and distract us from the careful, arduous task of accurately naming our priorities.
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…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
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It is by finding out what something is not that one comes closest to understanding what it is.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
ALAIN DE BOTTON