Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
ALAIN DE BOTTONIt seems that most of us could benefit from a brush with a near-fatal disaster to help us recognise the important things that we are too defeated or embittered to recognise from day to day.
More Alain de Botton Quotes
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Philosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
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Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
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My writing always came out of a very personal place, out of an attempt to stay sane.
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Work is most fulfilling when you’re at the comfortable, exciting edge of not quite knowing what you are doing.
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Literature is the greatest reality simulator – a machine that puts you through infinitely more situations than you can ever directly witness.
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The activities of drawing, eating and drinking, all involve assimilations by the self of desirable elements from the world, a transfer of goodness from without to within.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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Everyone wants a better life: very few of us want to be better people.
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…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
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The telephone becomes an instrument of torture in the demonic hands of a beloved who doesn’t call.
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There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
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The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
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Good sex isn’t just fun, it keeps us sane and happy. Having sex with someone makes us feel wanted, alive and potent.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
ALAIN DE BOTTON