The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
ALAIN DE BOTTONThe arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
More Alain de Botton Quotes
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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Every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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Literature is the greatest reality simulator – a machine that puts you through infinitely more situations than you can ever directly witness.
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There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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If one felt successful, there’d be so little incentive to be successful.
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What we seek, at the deepest level, is inwardly to resemble, rather than physically to possess, the objects and places that touch us through their beauty.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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Insomnia is a glamorous term for thoughts you forgot to have in the day.
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Maturity: the confidence to have no opinions on many things.
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People only get really interesting when they start to rattle the bars of their cages.
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Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
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Most of what makes a book ‘good’ is that we are reading it at the right moment for us.
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Differ though we might with Christianity’s view of what precisely our souls need, it is hard to discredit the provocative underlying thesis.
ALAIN DE BOTTON