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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Alain de Botton

Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.
ALAIN DE BOTTON

Career Choice Education Mad Precipitate Ward Write
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
ALAIN DE BOTTON

Biscuit Carpet Childhood Day Light Most Photo Smell Store Texture
There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
ALAIN DE BOTTON

Choice Inevitable Long Loss Need Regret Return Time
All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
ALAIN DE BOTTON

Fill Hire Humiliation People Private Publisher Tour Venue Wait
We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTON

Carpet Commitment Freedom Impulsive Need Object Remind
Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
ALAIN DE BOTTON

Home Merit Name Occupancy Permanent Speak
Reputation matters so much only because people so seldom think for themselves.
ALAIN DE BOTTON

Matter Much Only People Reputation Seldom Themselves
If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
ALAIN DE BOTTON

Activity Dominate Dynamic Few Happiness Live Paradox Perhaps Quest Search
Intimacy is the capacity to be rather weird with someone – and finding that that’s ok with them.
ALAIN DE BOTTON

Capacity Find Intimacy Rather Someone
Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.
ALAIN DE BOTTON

Badly Begin Exceed Fear Finally Nothing
The more closely we analyze what we consider ‘sexy,’ the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
ALAIN DE BOTTON

Analyze Clearly Closely Consider Eroticism Excitement Feel More Understand
In their different ways, art and philosophy help us, in Schopenhauer’s words, to turn pain into knowledge.
ALAIN DE BOTTON

Art Different Help Knowledge Pain People Philosophy Way Word
In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
ALAIN DE BOTTON

Devotion Religion replace Reverence Secular Touchstone World
Mental health: having enough safe places in your mind for your thoughts to settle.
ALAIN DE BOTTON

Emouhj Health Mental Place Safe Settle
The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
ALAIN DE BOTTON

Admit Anticipation Fear Inability Leave Lie Memory Position Present Shelter
You need a long hard day’s work to reveal the logic of the craving for very bad tv and alcohol.
ALAIN DE BOTTON

Alcohol Day Hard Logic Long Need Reveal

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

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Popular Authors

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Related Topics

Popular Authors

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