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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Alain de Botton

Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
ALAIN DE BOTTON

Come Control Despair Hope Suggest Surrender Total
The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
ALAIN DE BOTTON

Affiche Appraisal Attention Congenital Determine Matter People Uncertainty
Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
ALAIN DE BOTTON

Everywhere Get Interest Kind Machine Machismo Opposite Really Sensitive Sweetness
Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
ALAIN DE BOTTON

Always Among Habitat Ignore Million People Turn
You have to be quite heavily invested in someone to do them the honour of telling them you’re annoyed with them.
ALAIN DE BOTTON

Annoy Heavily Honor Invest Quite Someone Tell
Curiosity takes ignorance seriously – and is confident enough to admit when it’s in the dark. It is aware of not knowing. And then it sets out to do something about it.
ALAIN DE BOTTON

Admit Confident Curious Dark Ignorance Know Take
We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTON

Carpet Commitment Freedom Impulsive Need Object Remind
Kant and Hegel are interesting thinkers. But I am happy to insist that they are also terrible writers.
ALAIN DE BOTTON

Happy Instant Interest Terrible Think Writer
Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
ALAIN DE BOTTON

Audience Big Compell Truth Vital
Must being in love always mean being in pain?
ALAIN DE BOTTON

Always Being Love Must Pain
Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.
ALAIN DE BOTTON

Career Choice Education Mad Precipitate Ward Write
Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
ALAIN DE BOTTON

Aesthetic Capacity Critical Draw Good Happiness Material Object Satisfy Seem
In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
ALAIN DE BOTTON

Death Life Reason Successful Tell Work Year
My writing always came out of a very personal place, out of an attempt to stay sane.
ALAIN DE BOTTON

Always Attempt Came Out Same Stay Write
The finest proof of our loyalty toward one another was our monstrous disloyalties towards everyone else.
ALAIN DE BOTTON

Another Disloyalty Everyone Finest Loyalty Monstrous Proof Toward
Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
ALAIN DE BOTTON

Apprehend Continous Dangerous Enjoy Feel More Otherwise

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

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Popular Authors

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Related Topics

Popular Authors

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