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What am I supposed to do here? What am I supposed to think?

Alain de Botton

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTON

Acquaintance Acquire Beautiful Dialogue Grief Pain Thing Turn More Value
The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
ALAIN DE BOTTON

Anxiety Defend Determine Largets Ourself Part Personally Sad
to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
ALAIN DE BOTTON

Already Behaviour Design Force Mechanism Ourselves Patiently Unlearn
The media insists on taking what someone didn’t mean to say as being far closer to the truth than what they did.
ALAIN DE BOTTON

Closer Insist Media On Being Say Truth
Our minds are susceptible to the influence of external voices telling us what we require to be satisfied, voices that may drown out the faint sounds emitted by our souls and distract us from the careful, arduous task of accurately naming our priorities.
ALAIN DE BOTTON

Drown External Influence Mind Require Satisfy Susceptible Tell Voice
Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
ALAIN DE BOTTON

Act Conscious Cynical Draw Money Object Power World
Artistic accounts involve severe abbreviations of what reality will force upon us.
ALAIN DE BOTTON

Abbreviation Account Artistic Force Involve Reality Serve
Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.
ALAIN DE BOTTON

Career Choice Education Mad Precipitate Ward Write
There may be significant things to learn about people by looking at what annoys them most.
ALAIN DE BOTTON

Annoy Learn Look Most People Significant Thing
When I see someone like Richard Dawkins, I see my father. I grew up with that. I’m basically the child of Richard Dawkins.
ALAIN DE BOTTON

Basically Child Father People See Someone
Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
ALAIN DE BOTTON

Easier Except Happy Learn Less Play Practice Require Unnatural Violin
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
ALAIN DE BOTTON

Biscuit Carpet Childhood Day Light Most Photo Smell Store Texture
The challenge for a human now is to be more interesting to another than his or her smartphone.
ALAIN DE BOTTON

Challenge Human Interest More Now Smartphone
He did not mean to depress us, rather to free us from expectations which inspire bitterness. It is consoling, when love has let us down, to hear that happiness was never part of the plan.
ALAIN DE BOTTON

Bitterness Console Depress Expectation Inspire Love Happy Part Plan Rather
The more closely we analyze what we consider ‘sexy,’ the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
ALAIN DE BOTTON

Analyze Clearly Closely Consider Eroticism Excitement Feel More Understand
Never too late to learn some embarrassingly basic, stupidly obvious things about oneself.
ALAIN DE BOTTON

Embarrassingly Learn never Oneself Some Stupid Thing

What am I supposed to do here? What am I supposed to think?

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What am I supposed to do here? What am I supposed to think?

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