These latter institutions [the civil service, trade unions, media of all kinds], notably of course television.
ALAIN BADIOUThe cinema is a place of intrinsic indiscernibility between art and non-art.
More Alain Badiou Quotes
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It is thus quite simply false that whereof one cannot speak (in the sense of ‘there is nothing to say about it that specifies it and grants it separating properties’), thereof one must be silent.
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In order to improve democracy, then, it’s necessary to change the people, as Brecht ironically proposed.
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All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy-the form of state suited to capitalism-and to the inevitable and ‘natural’ character of the most monstrous inequalities.
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Those who have nothing have only their discipline.
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Truth is a new word in Europe (and elsewhere).
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To believe that the intolerable crime is to burn a few cars and rob some shops, whereas to kill a young man is trivial, is typically in keeping with what Marx regarded as the principal alienation of capitalism: the primacy of things over existence, of commodities over life and machines over workers
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Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history.
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All resistance is a rupture with what is. And every rupture begins, for those engaged in it, through a rupture with oneself.
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A Truth is the subjective development of that which is at once both new and universal. New: that which is unforeseen by the order of creation. Universal: that which can interest, rightly, every human individual, according to his pure humanity.
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I am surprised to see that today everything that does not amount to surrender pure and simple to generalized capitalism.
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Without mathematics, we are blind.
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In love, fidelity signifies this extended victory: the randomness of an encounter defeated day after day through the invention of what will endure.
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The cinema is a place of intrinsic indiscernibility between art and non-art.
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In fact, so as not to succumb to an obscurantist theory of creation ex nihilo, we must accept that an event is nothing but a part of a given situation, nothing but a fragment of being.
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What I mean is that what composes an event is always extracted from a situation, always related back to a singular multiplicity, to its state, to the language that is connected to it, etc.
ALAIN BADIOU






