The cinema is a place of intrinsic indiscernibility between art and non-art.
ALAIN BADIOUQuite the contrary; it is the vehicle of savage, destructive nihilism.
More Alain Badiou Quotes
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It must be said that today, at the end of its semantic evolution, the word ‘terrorist’ is an intrinsically propagandistic term. It has no neutral readability. It dispenses with all reasoned examination of political situations, of their causes and consequences.
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The absolute contingency of the encounter takes on the appearance of destiny.
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Love and politics are the two great figures of social engagement.
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Evil is the interruption of a truth by the pressure of particular or individual interests.
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Love can only consist in failure…on the fallacious assumption that it is a relationship. But it is not. It is a production of truth.
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Love without risk is an impossibility, like war without death.
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Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history.
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The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity.
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Quite the contrary; it is the vehicle of savage, destructive nihilism.
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It is thus quite simply false that whereof one cannot speak (in the sense of ‘there is nothing to say about it that specifies it and grants it separating properties’), thereof one must be silent.
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In love, fidelity signifies this extended victory: the randomness of an encounter defeated day after day through the invention of what will endure.
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There is a kind of serenity in love which is almost a paradise.
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Love is not a contract between two narcissists.
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The declaration of love marks the transition from chance to destiny and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.
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What I mean is that what composes an event is always extracted from a situation, always related back to a singular multiplicity, to its state, to the language that is connected to it, etc.
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All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy-the form of state suited to capitalism-and to the inevitable and ‘natural’ character of the most monstrous inequalities.
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We could say that love is a tenacious adventure. The adventurous side is necessary, but equally so is the need for tenacity. To give up at the first hurdle, the first quarrel, is only to distort love. Real love is one that triumphs lastingly, sometimes painfully, over the hurdles erected by time, space and the world.
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What is the world like when it is experienced, developed and lived from the point of view of difference and not identity? That is what I believe love to be.
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The ethic of truth is the complete opposite of an ‘ethics of communication’. It is an ethic of the Real The ethic of truth is absolutely opposed to opinion, and to ethics in general.
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If you limit yourself to sexual pleasure it’s narcissistic. You don’t connect with the other, you take what pleasure you want from them.
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In order to improve democracy, then, it’s necessary to change the people, as Brecht ironically proposed.
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We have the riots we deserve.
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I am surprised to see that today everything that does not amount to surrender pure and simple to generalized capitalism.
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Emancipatory politics always consists in making seem possible precisely that which, from within the situation, is declared to be impossible.
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In my view, only those who have had the courage to work through Lacan’s anti-philosophy without faltering deserve to be called ‘contemporary philosophers’.
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To believe that the intolerable crime is to burn a few cars and rob some shops, whereas to kill a young man is trivial, is typically in keeping with what Marx regarded as the principal alienation of capitalism: the primacy of things over existence, of commodities over life and machines over workers
ALAIN BADIOU