She is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.
AIMEE BENDERIt’s a pleasure to dive into Hirshberg’s storytelling skills in American Morons.
More Aimee Bender Quotes
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Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can’t fit under the sky, too large. Close the doors. Close the windows.
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The stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader’s brain and resurfacing to evoke mystery or sadness or longing.
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As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can’t heat up as well. Cold draft comes in.
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But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think?
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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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Glen Hirshberg’s stories are haunting, absolutely, but not only because of the content.
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But I loved George in part because he believed me; because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
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Mom loved my brother more. Not that she didn’t love me – I felt the wash of her love every day.
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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
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I give boring people something to discuss over corn.
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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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Language is the ticket to plot and character, after all, because both are built out of language.
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Kissing George was a little like rolling in caramel after spending years surviving off rice sticks.
AIMEE BENDER






