I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
AI WEIWEILife is art. Art is life. I never separate it.
More Ai Weiwei Quotes
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This so-called fame or being better off doesn’t really attract me at all.
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China hasn’t only existed for one day. Now, the whole nation has become richer and it’s become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
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Through my work and ways of expression, I strive to engage in dialogue with the society that I am living in.
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that’s the true crime.
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In this kind of dictatorship, in this kind of totalitarian society, it is easy to make deals that you cannot make in a democratic society.
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I think U.S. and China is a big opportunity, to be seen as partner or some kind of strategic partner maybe. But those kind of powers have a way of getting too big, then we’ll have competition.
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We should use this public sphere and redefine – beyond China’s borders – what a government is allowed to do, where its powers end and where the realm of a citizen’s privacy begins.
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Maybe being powerful means to be fragile.
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I grew up in a desert, which has no kind of imagination.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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I lived there [ in New York City] as an artist, but never as a Chinese artist.
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I came back [to Beijing ] because that’s the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.
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This world should be much more open and should be much more free, so the young people would have the chance to exercise the quality of their lives.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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Now you have the equal opportunity to equip yourself through information and knowledge and express yourself as an independent mind.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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We move so fast that memory is something we can only grasp
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China restricts the society’s freedom of speech. The Communist Party imposes these limits because it lacks confidence towards the future and has no ideals.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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I think you can give meaning to any condition; you can be poor or unsuccessful or be so-called successful. But I don’t think that it would give an individual human being a better condition.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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