Politics is like air and water. And you know if there is bad politics. Everyone is polluted. Everyone is unhealthy. See the people walking on the street: how they act.
AI WEIWEII never had secure, belonging feelings with this society [in China].
More Ai Weiwei Quotes
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That’s why the country can’t face up to open competition – unless it resorts to measures like North Korea.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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I think U.S. and China is a big opportunity, to be seen as partner or some kind of strategic partner maybe. But those kind of powers have a way of getting too big, then we’ll have competition.
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I lived there [ in New York City] as an artist, but never as a Chinese artist.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people.
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The freedom of speech is an important yardstick for a society’s level of civilization.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions.
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What is important is that we actively express our thoughts and wishes, in every realm that we can access.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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I think optimism is whether you are still exhilarated by life, whether you are curious, whether you still believe there is possibility.
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I think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
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Imagine one day, the hateful world around you collapses. And it is your attitude, words and actions that put an end to it. Will you be excited?
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.
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I always want people to be confused, to be shocked or realize something later.
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Even if there have been setbacks during these past years, China is changing. China’s society is opening.
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I spend a lot of time talking to journalists.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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Liberty is about our rights to question everything.
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If civil society has nobody who protects the law, then what kind of society is that?
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A society is healthy only when it allows its members to discuss their thoughts openly. This is also the only way that a society can gather consensus, let everyone express his or her wish, and foster creativity.
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I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it’s like a mafia family’s law. It’s independent to the law this nation openly applies.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
AI WEIWEI