There’s no such thing as “fixed” culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems.
AI WEIWEIBehind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
More Ai Weiwei Quotes
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Nothing is clear-cut. Perhaps I’ll find my way – or get totally lost.
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I’m totally independent. I don’t bear any responsibility to any system.
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Liberty is about our rights to question everything.
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It’s the place they take you before they give you over to the judicial system. You stay there for a year or two and they make you really suffer to confess everything.
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It’s as simple as that.
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We should use this public sphere and redefine – beyond China’s borders – what a government is allowed to do, where its powers end and where the realm of a citizen’s privacy begins.
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I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is OK, to speak out.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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…photographs are facts, but not necessarily true… The present always surpasses the past, and the future will not care about today.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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During the days in detention, I thought most about the moon.
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I don’t believe in a sense of home.
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Through my work and ways of expression, I strive to engage in dialogue with the society that I am living in.
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I was an illegal alien for many, many years. I couldn’t move. If I moved I could not even get a visa back.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want — not only you, your whole family and all people like you.
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Now I’ve come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable.
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Life is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy.
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Today, the general masses in this society are in this political-social condition that really encourages people to become rich and become a star and be unique.
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It’s just a way you have to set up some kind of activities to follow your instincts or your curiosities.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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China is at a different stage of development, human rights are violated here much more often. And still, we see improvements even here.
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What is important is that we actively express our thoughts and wishes, in every realm that we can access.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious.
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