Even if I have hundreds of things to do, the disconnected feeling is still there because it is very hard to find a real purpose of life.
AI WEIWEII think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
More Ai Weiwei Quotes
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Life is much more interesting when you make a little bit of effort.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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If you don’t act, the danger becomes stronger.
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I lived there [ in New York City] as an artist, but never as a Chinese artist.
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That’s why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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We are living in a popular culture where everything is overexposed.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
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I think by shattering it we can create a new form, a new way to look at what is valuable – how we decide what is valuable.
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Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful.
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Each year, more people want to become artists.
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It also makes humanity much more safe. If we see pureness somewhere as something to be desired, the trouble starts.
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For years, I refused to go to any openings, not even my own.
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Creativity is part of human nature. It can only be untaught.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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They see how dramatic U.S. has to be put this kind of shame on its own – cannot handle the situation. Or show such a difficulty with this liberal ideas. Men or women created equal. And to defend those very essential ideas.
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The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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As a person, I was born to give out my opinions. By giving out my opinions, I realize who I am.
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We should use this public sphere and redefine – beyond China’s borders – what a government is allowed to do, where its powers end and where the realm of a citizen’s privacy begins.
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We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves.
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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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There’s no such thing as “fixed” culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
AI WEIWEI