If I look at it, I would laugh. I don’t know how I became successful.
AI WEIWEII think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
More Ai Weiwei Quotes
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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Everything is art. Everything is politics.
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And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would’ve lost the ground to win.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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I don’t belong to a working system. They only select people if you belong to one so you can be controlled.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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[Cultural departments] don’t care about culture. Maybe they’re the furthest from the people who understand culture.
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A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
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I don’t think China should care if this crazy old guy should have a show here or not.
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I don’t think [price] reflects if the work is good or bad.A good artist shouldn’t be nervous about that.
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Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
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Paintings can be painted with the left hand, the right hand, someone else’s hand, or many people’s hands. The scale of production is irrelevant to its content.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
AI WEIWEI