The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that’s all I know.
AI WEIWEIFor artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political.
More Ai Weiwei Quotes
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And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would’ve lost the ground to win.
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And the kind of condition he had when he was in this society – the kind of mistreatment society gave him.
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Everything is art. Everything is politics.
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Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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I wouldn’t say I’ve become more radical: I was born radical.
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The deadly weapon against totalitarian society is openness – doing everything very openly on the Internet, letting people know every detail, any little development. Once it is out there, everybody can make their own judgement.
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If I really have nothing to do, I just watch my cats, take some photos, and go back to my personal blog.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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I grew up in a desert, which has no kind of imagination.
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The United States is a melting pot. Like John F. Kennedy said, it’s a nation of immigrants. But Donald Trump wants to build a fence that clearly makes the statement: “You and I are divided.
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A nation that has no music and no fairytales is a tragedy.
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I’m just bringing them to Kassel to see the art show, and pay their room and board.
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The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.
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I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
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I always want to design a frame that’s open to everyone. I don’t see art as a secret code.
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Now I’ve come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.
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Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
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Selling high or low doesn’t mean anything. It has to do purely with the market.
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I think everybody deserves freedom. Freedom is such an abstract word, but it’s all we need.
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Even today the borders they’re seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
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[Cultural departments] don’t care about culture. Maybe they’re the furthest from the people who understand culture.
AI WEIWEI