A society is healthy only when it allows its members to discuss their thoughts openly. This is also the only way that a society can gather consensus, let everyone express his or her wish, and foster creativity.
AI WEIWEIEven though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
More Ai Weiwei Quotes
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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The American experience influenced my understanding of individuality, basic human rights, freedom of expression and the rights and responsibilities of citizens.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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I spend a lot of time talking to journalists.
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It’s just a way you have to set up some kind of activities to follow your instincts or your curiosities.
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You don’t have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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I never had secure, belonging feelings with this society [in China].
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Life is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy.
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This so-called contemporary art is not a form, but a philosophy of society.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
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Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it’s not a product; it’s an understanding of human nature.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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I will bring 1,001 Chinese to participate as my artwork there – any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog.
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He will still mean danger. Modern technology requires calm. You shouldn’t trust anyone with a car who has no knowledge about vehicles or roads.
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Everything is art. Everything is politics.
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This week, the world gathers in Beijing for the 2008 Olympic games. This is the extraordinary moment China has been dreaming of for 100 years.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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If artists cannot speak up for human dignity or rights, then who else will do it?
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New York has given me a lot, but I still don’t consider it home.
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It’s really rubbish that some kind of “technical” learning means you will be a better person because you know this skill better.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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