I think optimism is whether you are still exhilarated by life, whether you are curious, whether you still believe there is possibility.
AI WEIWEIA nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
More Ai Weiwei Quotes
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I think Allen [Ginsberg] was a person who’s like a child.
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Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it’s not a product; it’s an understanding of human nature.
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I think Donald Trump should cool down a little bit. To pay more attention to the history. To really understand what U.S.’s value is about. I think, as a president, those things you always have to ask.
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I never had a sense of home.
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We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.
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These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
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Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
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Now I’ve come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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Dictatorship is a story about death of others who turn out to be you coincidently.
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I never think any place is better than others.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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Nowadays, China is experiencing the detrimental effects of such decisions. Its citizens have no creativity.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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I don’t believe in a sense of home.
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I don’t want the next generation to fight the same fight as I did.
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Even today the borders they’re seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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Life is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy.
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I don’t think China has professional museums – not in the past, present, or near future.
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I think everybody deserves freedom. Freedom is such an abstract word, but it’s all we need.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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