Nationality and borders are barriers to our intelligence, to our imagination and to all kinds of possibilities.
AI WEIWEI[Therefore] holding a trial outside the court. I think that is fairness, that is justice, that is a civil society. Otherwise call it an evil society because everything is hidden.
More Ai Weiwei Quotes
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We’re different, and you’re dangerous.” That kind of thinking stops human, civilized evolution. It’s dangerous to create that kind of tension.
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Life is much more interesting when you make a little bit of effort.
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Behind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
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That’s why the country can’t face up to open competition – unless it resorts to measures like North Korea.
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If artists cannot speak up for human dignity or rights, then who else will do it?
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I don’t personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
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We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.
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I don’t think [price] reflects if the work is good or bad.A good artist shouldn’t be nervous about that.
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The tragic reality of today is reflected in the true plight of our spiritual existence. We are spineless and cannot stand straight.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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I wouldn’t say I’ve become more radical: I was born radical.
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It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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If a nation cannot face its past, it has no future.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people.
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Without freedom of speech, there is no modern world, just a barbaric one.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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China restricts the society’s freedom of speech. The Communist Party imposes these limits because it lacks confidence towards the future and has no ideals.
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To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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[Cultural departments] don’t care about culture. Maybe they’re the furthest from the people who understand culture.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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I lived there [ in New York City] as an artist, but never as a Chinese artist.
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Selling high or low doesn’t mean anything. It has to do purely with the market.
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In the end, I think, the state’s rigidity is a function of its own insecurity, its indecisiveness.
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Every day I’m learning something new from the practice. It’s very rewarding.
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