Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
AI WEIWEIWarhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
More Ai Weiwei Quotes
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Without freedom of speech, there is no modern world, just a barbaric one.
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I don’t personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
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A nation that has no music and no fairytales is a tragedy.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would’ve lost the ground to win.
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My typical day is I wake up and appreciate that I can still wake up.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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What is important is that we actively express our thoughts and wishes, in every realm that we can access.
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I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.
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I think everybody deserves freedom. Freedom is such an abstract word, but it’s all we need.
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Of course, people will call you an old artist or young artist, which is just a character of you.
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The whole attitude of society has become much more open and realistic. They realize that the only way to make a more democratic and free society is to let different opinions come out.
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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New York has given me a lot, but I still don’t consider it home.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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For those actors and directors who produce films which are always about the old kingdom or about heroes.
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Now you have the equal opportunity to equip yourself through information and knowledge and express yourself as an independent mind.
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The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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Nowadays, China is experiencing the detrimental effects of such decisions. Its citizens have no creativity.
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I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.
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China hasn’t only existed for one day. Now, the whole nation has become richer and it’s become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.
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