I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
AI WEIWEILife is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy.
More Ai Weiwei Quotes
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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China restricts the society’s freedom of speech. The Communist Party imposes these limits because it lacks confidence towards the future and has no ideals.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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Many people are going to use [Beijing National Stadium], which makes it more meaningful. If we don’t design it, somebody else has to design it.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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If people are being abused or even killed during an arrest, this is highly disturbing.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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We should use this public sphere and redefine – beyond China’s borders – what a government is allowed to do, where its powers end and where the realm of a citizen’s privacy begins.
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In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want — not only you, your whole family and all people like you.
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I will bring 1,001 Chinese to participate as my artwork there – any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
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I think by shattering it we can create a new form, a new way to look at what is valuable – how we decide what is valuable.
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I never regret anything.
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…photographs are facts, but not necessarily true… The present always surpasses the past, and the future will not care about today.
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I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.
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The rest of the world understands little about China’s changes and the possibilities and crises that come with them.
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If my art has nothing to do with people’s pain and sorrow, what is ‘art’ for?
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There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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My typical day is I wake up and appreciate that I can still wake up.
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Everyone of us is a potential convict.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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You’re still being looked at as somebody who – it’s a very complicated issue.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
AI WEIWEI