For years, I refused to go to any openings, not even my own.
AI WEIWEII think by shattering it we can create a new form, a new way to look at what is valuable – how we decide what is valuable.
More Ai Weiwei Quotes
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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If artists cannot speak up for human dignity or rights, then who else will do it?
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I think China is laughing about the results of the presidential elections. China, Russia, they all laugh about it.
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Once you’ve tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.
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We never really see the global situation as a total situation. Today’s political leaders are still lacking of the vision.
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What is important is that we actively express our thoughts and wishes, in every realm that we can access.
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Destroy or build. Crazy or noncrazy. I’m not nostalgic about the old city. I don’t enjoy it that much.
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They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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Technology is a liberation. I think the information age probably is the best thing to happen to the human race in human evolution.
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The American experience influenced my understanding of individuality, basic human rights, freedom of expression and the rights and responsibilities of citizens.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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Selling high or low doesn’t mean anything. It has to do purely with the market.
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It [success] is really by mistake.
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I want people to see their own power.
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You don’t have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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I never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
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This so-called contemporary art is not a form, but a philosophy of society.
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I think my stance and my way of life is my most important art.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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I don’t want the next generation to fight the same fight as I did.
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Creativity is the power to reject the past, to change the status quo, and to seek new potential. Simply put, aside from using one’s imagination – perhaps more importantly – creativity is the power to act.
AI WEIWEI