In China, we don’t have any contemporary art museums. Until a few years ago, we didn’t even have a gallery.
AI WEIWEIThe society was so different [in China] – it was a feudalistic society. It didn’t come to a point of industrial revolution until twenty years ago.
More Ai Weiwei Quotes
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To give a price to an artwork, no matter how high or low, is always absurd. It’s not something that can be measured by money or by certain numbers.
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Paintings can be painted with the left hand, the right hand, someone else’s hand, or many people’s hands. The scale of production is irrelevant to its content.
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They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things.
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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We are living in a popular culture where everything is overexposed.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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Politics is like air and water. And you know if there is bad politics. Everyone is polluted. Everyone is unhealthy. See the people walking on the street: how they act.
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Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful.
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People who can’t do that don’t get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.
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The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that’s all I know.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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The tragic reality of today is reflected in the true plight of our spiritual existence. We are spineless and cannot stand straight.
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Growing up, my family was an enemy of the state. I have experienced more disappointment than joy, much more sad stories or desperate conditions.
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Of course, people will call you an old artist or young artist, which is just a character of you.
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I think I’m just a traveler. When you walk across a river and there’s no bridge, you build one. I’m used to having to deal with Chinese Communist ideology.
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And the kind of condition he had when he was in this society – the kind of mistreatment society gave him.
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People have been longing for this moment, because it symbolises a turning point in China’s relationship with the outside world.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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For those actors and directors who produce films which are always about the old kingdom or about heroes.
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My angst and my insecurity reflect the state’s angst and insecurity. The state is scared too.
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Creativity is the power to act.
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I don’t think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism.
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To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling.
AI WEIWEI