“I have to find a place for my own. I have to search for my own happiness.”

I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.

If you don’t act, the danger becomes stronger.

It’s the place they take you before they give you over to the judicial system. You stay there for a year or two and they make you really suffer to confess everything.

I don’t think there is a distinct change, because in the West I’m not a person who can serve his purpose.

You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.

I’m totally independent. I don’t bear any responsibility to any system.

Life is never guaranteed to be safe, so we better use it while we are still in good condition.

For years, I refused to go to any openings, not even my own.

I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it’s like a mafia family’s law. It’s independent to the law this nation openly applies.

I grew up in a desert, which has no kind of imagination.

Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something.

We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.

As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.

During the days in detention, I thought most about the moon.

I have to respect my life, and free expression is part of my life. I can never really silence myself.

Even if there have been setbacks during these past years, China is changing. China’s society is opening.