I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDAI’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
More Agnes Varda Quotes
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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You have to invent life.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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We need to find another way or another shape or an allegory or something that tells us more.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA






