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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

Agnes Varda

I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
AGNES VARDA

Beautiful Expensive Jewelry Lost Service Tip
You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA

Carpenter Direct Director Film Muscle Need Strong
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
AGNES VARDA

Abandoned Body Early Film Getting Gleaning Photo Picture
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA

Enemy Felt Like Nothing Think Thinking Way Young
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
I go back to many films that I really love.
AGNES VARDA

Film Love Need Really Watches Year
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA

Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable
I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA

Beautiful Certain Film Keep Level Many People Quality Star
I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
AGNES VARDA

Arrive Belief Blue Bolt Inspiration Inspirational
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA

Cinema Essential Feel Good Job Need Work Yesterday
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA

Art Artwork Critic Film Know Time
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
AGNES VARDA

Documentary Every Line Fiction Science Texture True
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
AGNES VARDA

Afraid Doing Look Ridiculous Risk Such Take Wished

I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

Related Topics

Popular Authors

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