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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

Agnes Varda

I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA

Cinema Film Filmmaker First History Make People Picture Place Trying
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA

Cinema Essential Feel Good Job Need Work Yesterday
Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
AGNES VARDA

Back Come Feel Nostalgia Sometimes Time Want
Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
AGNES VARDA

Bad Better Film God Good One Yesterday
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
AGNES VARDA

Assistant Camera Film School Thinking Trainee
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDA

Black Change History People Right Slow State Two Vote
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
I’m trying to capture something more fragile than a regular story. I love what people bring me.
AGNES VARDA

Capture Love People Regular Something Stories Story Try Trying
Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
AGNES VARDA

Documentary Every Line Fiction Science Texture True
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA

Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable
I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
AGNES VARDA

Boxing Competition Cross Kung Fu Learned Ocean Sportif Strong Thinking
I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDA

Adventure Always Find First Spring Trying

I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

Related Topics

Popular Authors

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