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The film critics don’t know my artwork and the art world doesn’t know my films.

Agnes Varda

The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA

Deal Image Mean Need Reality Representation Time Use
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDA

Bringing Everyday Memories Nostalgia Sense Special
I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA

Film Ghouls Image Interested Looking Made Unless Woman
It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
AGNES VARDA

Energy Nice Ourselves Sleep Sleeping Sometimes Somewhere Thinking
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA

Away Catch Consumption Documentary Eating Ethnography People Want Problem Serious Sociologie Subject Thinker Throw Wanted
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA

Enemy Felt Like Nothing Think Thinking Way Young
When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDA

Beautiful Film Filmmaker Finished Made Started Wanted
I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
AGNES VARDA

Assistant Camera Film School Thinking Trainee
I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA

Cinema Film Filmmaker First History Make People Picture Place Trying
Society is so slow. A feminist is a bore.
AGNES VARDA

Bore Feminist Slow Society
I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
AGNES VARDA

Beautiful Expensive Jewelry Lost Service Tip
I think we need to have a nest of something which is family.
AGNES VARDA

Family Need Nest Something Think Thinking

The film critics don’t know my artwork and the art world doesn’t know my films.

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The film critics don’t know my artwork and the art world doesn’t know my films.

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