You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDAI see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
More Agnes Varda Quotes
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Good cinema is good cinema. It makes you feel like you need to work.
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I live in cinema. I feel I’ve lived here forever.
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We got along very well without trying to make me look like I’m what I’m not.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA