When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
AGNES VARDAI should say nothing! I’m through with it! I hate to repeat myself all the time.
More Agnes Varda Quotes
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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Humor is such a strong weapon, such a strong answer.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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We need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDA






