Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
AGNES VARDAI didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
More Agnes Varda Quotes
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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