Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDAIn my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
More Agnes Varda Quotes
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I think we need to have a nest of something which is family.
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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If we opened people up, we’d find landscapes.
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