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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Agnes Varda

The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
This is all you need in life: a computer, a camera, and a cat.
AGNES VARDA

All Camera Cat Computer Need
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA

Always Could Film Free Money Sometimes Thinking Work
Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
AGNES VARDA

Documentary Every Line Fiction Science Texture True
Humor is such a strong weapon, such a strong answer.
AGNES VARDA

Answer Humor Strong Such Thinking Weapon
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA

Boring Contradiction Country Lovely Myself Sound Subject Took
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
AGNES VARDA

Boxing Competition Cross Kung Fu Learned Ocean Sportif Strong Thinking
I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDA

Care Careful Different People Think Thinking
My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA

Call Cine Company Herb Hot Rosemary Speed Tamaris Water
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA

Believe Children Feel Old Orphan People Person Thinking
I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDA

Able Allegorical Express Find Image Say Saying Show Thing Wanted

In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Related Topics

Popular Authors

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