I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
AGNES VARDAHumor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
More Agnes Varda Quotes
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I have to do something which relates with my time, and in my time, we make things differently.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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Society is so slow. A feminist is a bore.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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