I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
AGNES VARDAYou can buy a good pasta but when you cook it yourself it has another feeling.
More Agnes Varda Quotes
-
-
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA -
My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA -
Hands are the tool of the painter, the artist.
AGNES VARDA -
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA -
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA -
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
AGNES VARDA -
An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDA -
To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDA -
When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
AGNES VARDA -
I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA -
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA -
You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA -
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA -
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA -
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA