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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

Agnes Varda

I’m trying to capture something more fragile than a regular story. I love what people bring me.
AGNES VARDA

Capture Love People Regular Something Stories Story Try Trying
I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
I wanted to speak strongly about feminism in my life, since it’s been a struggle.
AGNES VARDA

Feminism Speak Struggle Wanted
I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
AGNES VARDA

Afraid Doing Look Ridiculous Risk Such Take Wished
An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDA

Beautiful Children Loved Mean Old People Poetry Reciting Time Wife Woman
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
AGNES VARDA

Answer Humor Joke Laughing Strong Themselves Weapon Women
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA

Film Ghouls Image Interested Looking Made Unless Woman
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA

Beautiful Crazy Film Maybe Stopped Stupid Young
I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
AGNES VARDA

Cheat Color Hair Hated Myself Totally White
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
AGNES VARDA

Explain Language Liked Mean Painting Picasso Reality Try Trying
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA

Beautiful Certain Film Keep Level Many People Quality Star

When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

Related Topics

Popular Authors

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