I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDAWhen I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
More Agnes Varda Quotes
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The film critics don’t know my artwork and the art world doesn’t know my films.
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It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I live in cinema. I feel I’ve lived here forever.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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Good cinema is good cinema. It makes you feel like you need to work.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA