I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
AGNES VARDAIf you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
More Agnes Varda Quotes
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My grandson says I’m punk.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
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Good cinema is good cinema. It makes you feel like you need to work.
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA