My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDAIf you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
More Agnes Varda Quotes
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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This is all you need in life: a computer, a camera, and a cat.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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