We need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDAGood cinema is good cinema. It makes you feel like you need to work.
More Agnes Varda Quotes
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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We got along very well without trying to make me look like I’m what I’m not.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA -
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA