It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
ADRIENNE RICHHow shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying.
More Adrienne Rich Quotes
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White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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You must write, and read, as if your life depended on it.
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There is nothing revolutionary whatsoever about the control of women’s bodies by men.
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It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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Poetry is the liquid voice that can wear through stone.
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We might possess every technological resource… but if our language is inadequate, our vision remains formless.
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You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
ADRIENNE RICH