In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
ADRIENNE RICHA knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
More Adrienne Rich Quotes
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
ADRIENNE RICH -
There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
ADRIENNE RICH -
It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
ADRIENNE RICH -
Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.
ADRIENNE RICH -
I began to feel heard in that movement. But it was because my voice was resonating with other voices.
ADRIENNE RICH -
And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
ADRIENNE RICH -
Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
ADRIENNE RICH -
Passion for survival is the great theme of women’s poetry.
ADRIENNE RICH -
Can you remember? when we thought the poets taught how to live?
ADRIENNE RICH -
There is nothing revolutionary whatsoever about the control of women’s bodies by men.
ADRIENNE RICH -
There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
ADRIENNE RICH -
I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
ADRIENNE RICH -
Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience.
ADRIENNE RICH -
Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
ADRIENNE RICH -
I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
ADRIENNE RICH -
Women’s art, though created in solitude, wells up out of community.
ADRIENNE RICH -
Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
ADRIENNE RICH -
I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which ‘sexism’ is too facile a term. It is really an intellectual defect, which might be termed ‘patrivincialism’ or patrochialism.
ADRIENNE RICH -
There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
ADRIENNE RICH -
Poetry reaches into places in us that we are suppose to ignore or mistrust, that are perceived as subversive or non-useful, in what is fast becoming known as global culture.
ADRIENNE RICH -
What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
ADRIENNE RICH -
It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
ADRIENNE RICH -
I choose to love this time for once with all my intelligence -from “Splittings
ADRIENNE RICH -
A language is a map of our failures.
ADRIENNE RICH -
I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
ADRIENNE RICH -
In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
ADRIENNE RICH