The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
ADRIENNE RICHIt takes some strength of soul–and not just individual strength, but collective understanding–to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.
More Adrienne Rich Quotes
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I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives.
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Lying is done with words and also with silence.
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The liar leads an existence of unutterable loneliness.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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We assume that politicians are without honor. We read their statements trying to crack the code. The scandals of their politics: not so much that men in high places lie, only that they do so with such indifference.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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What we see, we see and seeing is changing
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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Language is power… Language can be used as a means of changing reality.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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Strangers are an endangered species.
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
ADRIENNE RICH