The so-called multiple-choice examination sheet with the number 2 pencil to mark one choice and one choice only?
ADRIENNE RICHWriters matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
More Adrienne Rich Quotes
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
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A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.
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Art, whose honesty must work through artifice, cannot avoid cheating truth.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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Art means nothing if it simply decorates the dinner table of power which holds it hostage.
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Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.
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When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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Change is not a threat to your life, but an invitation to live.
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Just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
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I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
ADRIENNE RICH