I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.
ADRIENNE RICHWriters matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
More Adrienne Rich Quotes
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
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I came to explore the wreck.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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Art means nothing if it simply decorates the dinner table of power which holds it hostage.
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The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
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It’s been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
ADRIENNE RICH