I define “politics” as the on-going collective struggle for liberation and for the power to create – not only works of art, but also just and nonviolent social institutions.
ADRIENNE RICHThe impulse to create begins – often terribly and fearfully – in a tunnel of silence.
More Adrienne Rich Quotes
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In the interstices of language lie powerful secrets of the culture.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
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And perhaps there is none now; but we will have to make it, we who want an end to suffering, who want to change the laws of history, if we are not to give ourselves away.
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But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
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To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
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Lying is done with words and also with silence.
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Some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand–a center of gravity.
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If I cling to circumstances I could feel not responsible. Only she who says she did not choose, is the loser in the end.
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The moment when a feeling enters the body/ is political. This touch is political
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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
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It is important to possess a short-term pessimism and a long-term optimism.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
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No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
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Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
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The moment of change is the only poem.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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It is important to do this because we can count on so few people to go that hard way with us.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
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When someone with the authority of a teacher describes the world and you’re not in it, there’s a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing.
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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It is the lesbian in us who is creative, for the dutiful daughter of the fathers in us is only a hack.
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The mind’s passion is all for singling out. Obscurity has another tale to tell.
ADRIENNE RICH