When a woman tells the truth she is creating the possibility for more truth around her.
ADRIENNE RICHI am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
More Adrienne Rich Quotes
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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False history gets made all day, any day, the truth of the new is never on the news.
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
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Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
ADRIENNE RICH