I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINEBut there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
More Adrian Tomine Quotes
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The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
ADRIAN TOMINE