I started publishing my comic while I was still living with my parents.
ADRIAN TOMINEWho was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
More Adrian Tomine Quotes
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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You start to feel very weighted down sometimes.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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I never go home and take out those business cards and go to those websites.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
ADRIAN TOMINE