I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
ADAM RAPPI suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
More Adam Rapp Quotes
-
-
I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
ADAM RAPP -
There’s only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky.
ADAM RAPP -
I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
ADAM RAPP -
I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
ADAM RAPP -
I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.
ADAM RAPP -
The heart fills with warm rain that turns to mist and evaporates through a colder artery.
ADAM RAPP -
You can always count on the New York Times to cut your legs off.
ADAM RAPP -
In Chekhov, when people leave, a carriage is taking them away forever.
ADAM RAPP -
I think I’m a little more daunted by when the machinery of the play is really huge.
ADAM RAPP -
My work is always more emotional than I am.
ADAM RAPP -
Fifteen years ago I killed my sister.
ADAM RAPP -
It’s strange, people have asked me what my schedule is and what is my process like, and I can’t even answer it.
ADAM RAPP -
So I started to think like, “well if I’m going to fight against this, I should learn how to direct”.
ADAM RAPP -
It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
ADAM RAPP -
I began stealing a lot of ideas from other directors I had worked with.
ADAM RAPP