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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.

Ada Louise Huxtable

Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
ADA LOUISE HUXTABLE

Architecture Creative Elusive Expressive Good Planning Synthesis
There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
ADA LOUISE HUXTABLE

Aesthetic Centuries Developed Proved Violation
Clutter in its highest and most organized form is called collecting.
ADA LOUISE HUXTABLE

Clutter Collecting Form Highest Organised
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
ADA LOUISE HUXTABLE

Consuming Embellishment Enough Establishing History Human Inability
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE

Afford Architecture City Ultimate Deserve Keep
I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
ADA LOUISE HUXTABLE

Circumvent Death Feeling Found Tax
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
ADA LOUISE HUXTABLE

Architecture Pursuit Style Unapologetic Unfettered
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
ADA LOUISE HUXTABLE

Bad Big Building Gigantism Tombstone Tragedy Triumph
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
The New York Hilton is laid out with a competence that would make a computer blush.
ADA LOUISE HUXTABLE

Blush Competence Country Computer Laid
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall
New York, thy name is irreverence and hyperbole. And grandeur.
ADA LOUISE HUXTABLE

Country Grandeur Hyperbole Irreverence Name
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
Washington is an endless series of mock palaces clearly built for clerks.
ADA LOUISE HUXTABLE

Build Clearly Clerk Country Endless Palace

If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.

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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.

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