the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
ADA LOUISE HUXTABLEWe want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
More Ada Louise Huxtable Quotes
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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A disaster where marble has been substituted for imagination.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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The skyscraper is the point where art and the city meet.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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