No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLEClutter in its highest and most organized form is called collecting.
More Ada Louise Huxtable Quotes
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Clutter in its highest and most organized form is called collecting.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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The skyscraper is the point where art and the city meet.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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