Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLEClutter in its highest and most organized form is called collecting.
More Ada Louise Huxtable Quotes
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Surrogate experience and surrogate environments have become the American way of life.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Every generation tailors history to its taste.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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