All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
ABBAS KIAROSTAMIAs film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
More Abbas Kiarostami Quotes
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In the total darkness, poetry is still there, and it is there for you.
ABBAS KIAROSTAMI -
I really think that I don’t mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It’s not to be taken badly at all.
ABBAS KIAROSTAMI -
I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
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Silence doesn’t seem heavy or difficult.
ABBAS KIAROSTAMI -
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
ABBAS KIAROSTAMI -
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
ABBAS KIAROSTAMI -
I don’t have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who’s in my mind in reality.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
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I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn’t sleep a wink for those 40 nights.
ABBAS KIAROSTAMI -
I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
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I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.
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While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.
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I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
ABBAS KIAROSTAMI