I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
ABBAS KIAROSTAMIIf we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
More Abbas Kiarostami Quotes
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.
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The digital camera has given me total freedom and a different way of filming.
ABBAS KIAROSTAMI -
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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A work of art doesn’t exist outside the perception of the audience.
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It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
ABBAS KIAROSTAMI -
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI -
I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
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Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.
ABBAS KIAROSTAMI -
I think I really produce my best work in Iran.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
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Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
ABBAS KIAROSTAMI -
The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
ABBAS KIAROSTAMI -
I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
ABBAS KIAROSTAMI -
If I do continue to have the opportunity to work in Iran, that’s very much what I’d prefer to do.
ABBAS KIAROSTAMI -
My way of expression is full of complications and mystery because that’s my perception of life.
ABBAS KIAROSTAMI -
A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
ABBAS KIAROSTAMI -
I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
ABBAS KIAROSTAMI -
I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI -
I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.
ABBAS KIAROSTAMI -
My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
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In order to be universal, you have to be rooted in your own culture.
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Directors don’t always create, they can also destroy with too many demands.
ABBAS KIAROSTAMI -
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
ABBAS KIAROSTAMI