“Film is very much a universal and common voice, and we can’t limit it to one particular culture.”

In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.

With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.

It’s not so much a question of whether we’ve shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.

My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.

I never really learned photography.

In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.

Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.

As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.

There were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.

I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn’t sleep a wink for those 40 nights.

Silence doesn’t seem heavy or difficult.

I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!

It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.

Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.

I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.

The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely.

I never enquire into the origin of things, all Origin is a fallacy (in this I follow Nietzsche: origin is a very contested Cartesian illusion of reliability).

I have a cultured manner of speaking.

When you talk about rap you have to understand that rap is part of the Hip-Hop culture.

You’re sort of forced to include this aspect of culture into your life whether it be for social reasons or business purposes.

I think our culture promotes fear and shame.

Social media is driving the culture, it drives peoples minds literally.

How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.