“I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.”

I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.

We are nothing but a link between our culture and what we can actually produce.

Having an international voice is not really about whether we speak Persian or any other language.

In order to be universal, you have to be rooted in your own culture.

I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.

In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.

I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.

All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.

There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.

I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.

The day we run out of petrol is the day Iran will be free.

I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.

Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.

I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.

Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.

I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.

The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.

If you get those two aspects right, most rugby matches will work in your favour.

Human-caused climate change threatens almost every aspect of human existence.

In every aspect of life, have a game plan, and then do your best to achieve it.

Religion is rather the attempt to express the complete reality of goodness through every aspect of our being.

To draw a tree, to pay such close attention to every aspect of a tree, is an act of reverence not only toward the tree, and toward the earth itself, but also our human connection to it.

Given our inevitably incomplete knowledge about key structural aspects of our ever-changing economy and the sometimes asymmetric costs or benefits of particular outcomes, a central bank.

All ideas need to be heard, because each idea contains one aspect of the truth. By examining that aspect, we add to our own idea of the truth. Even ideas that have no truth in them whatsoever are useful because by disproving them, we add support to our own ideas.